A friend wrote to me: ‘I wonder if you might not
approach a publisher with a carefully directed proposal.’
The problem
is that I have become used to the freedom of working on my blog. What I am
doing is ‘subverting’ the Platonic scholarship of the last hundred and fifty
years. (See ‘Could my dating of the Phaedrus
be the answer?’ posted on my blog on November 25, 2016.) The nearest I have got
to writing a book on this subject is The
Lost Plato on my website, which was to be the 1st volume of my
Plato. I put a few more things on my website, a paper on ‘Socrates, Plato, and
the Laws of Athens’ (the most frequented piece on my website), a piece on Plato
and Isocrates, but then I got stuck and devoted myself to recording the Greeks
and putting the recordings on my website. Retrospectively, it was a very
important ‘preparatory’ work, for it really made me at home in the world,
thought, and language of the Ancient Greeks.
And then, when
I began working on Plato’s Parmenides,
I discovered the blog as an ideal working tool. It gives me the freedom ‘to go
where Plato takes me’, or better to say, ‘I go where my thinking about Plato
takes me’. Let me give an example. After posting ‘Plato’s Statesman, the date of its composition with references to his Parmenides, Phaedo, Symposium, Second
and Seventh Letter, and to Plutarch’s
Dion’ on my blog, I thought my next
post would be ‘Plato’s Statesman in
the light of its dating’. I put this title on my computer just to let it work
on my subconscious. But yesterday, having a bath before going to bed, I realized
that I must write next something very different, namely ‘Stylometric contrast
between Plato’s Symposium on the one
hand, and his Sophist and Statesman on the other’. For there is a
stylometric ‘gap’ between Plato’s six late dialogues (Sophist, Statesman, Philebus, Timaeus, Critias, Laws) and the rest
of his work. This gap has been explained by conjuring up a chronological gap:
‘To account for so marked a change … it seems necessary to suppose a reasonably
long interval of interruption in Plato’s activity … from 367 down to at least 361-360 … he must
have been too fully occupied in other ways to have much time for composition’. (A.
E. Taylor, Plato, quoted in my
preceding post.)
If Platonic
scholars have read my preceding post, they must have thought: ‘Plato’s Symposium and Sophist in close chronological succession? Absurd!’ Luckily, I
spent a lot of my time studying works on stylometry, the result of which I
incorporated in the The Lost Plato, Ch.
3, ‘Stylometric arguments for and against the late dating of the Phaedrus’. With its help, I should be
able to show that there is nothing absurd in dating the Symposium in proximity to the Sophist.
But more than that, I hope that by considering the stylometric contrast between
these two dialogues with reference to Plato’s Second and Seventh Letters,
I shall be able to explain why Plato abandoned writing dialogues ‘which belong
to a Socrates become fair and young, (ta
de nun legomena [Platônos] Sôkratous estin kalou kai neou gegonotos,
SL 314c3-4, tr. Bury).’
If I succeed
in doing so, I hope to put to rest such explanations as ‘they all [i.e. the
late six dialogues] agree linguistically in the adoption of the stylistic
graces of Isocrates. Particularly the artificial avoidance of hiatus, a thing
quite new in the prose of Plato’ (Taylor, l.c.).
Let me end this
post by quoting from The Lost Plato, Ch.
3: ‘As Cherniss remarked, Plato consciously avoided hiatus in none of the first
group [of Plato’s dialogues] and in all those of the second. The question is,
how the elderly Plato succeeded with apparent ease in avoiding the hiatus when
he made the decision to do so. No one appears to have considered this question
except Thesleff, who remarks that the avoidance of hiatus was an Isocratean
mannerism “unlikely to have been adopted by the aged Plato” and therefore
attributes it to “Plato’s secretary”. However, it is hardly likely that Plato’s
secretary could have restructured every sentence so as to avoid hiatus while
writing to Plato’s dictation, and even less likely that Plato would have
permitted this person to rewrite the dialogues in an Isocratean manner. Yet
Thesleff put his finger on a real problem, which requires explanation. The
ancient biographic tradition offers us two pieces of information, which can
help us in finding a solution. Diogenes informs us that before attaching
himself to Socrates Plato wrote poetry, dithyrambs, lyric poems, and tragedies
(iii. 5), which means that Plato in his youth cultivated the poetic skill of
avoiding hiatus; this training, although not consciously exercised, left its
traces in the Phaedrus, his first
dialogue (iii. 38).’
***
I have
applied to the Department for Work & Pensions for the Pension Credit. If I
get it, I may be able to survive.
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