Russell
writes: ‘According to the metaphysical part of the doctrine, the word “cat”
means a certain ideal cat, “the cat”,
created by God, and unique. Particular cats partake of the nature of the cat, but more or less imperfectly;
it is only owing to this imperfection that there can be many of them. The cat
is real; particular cats are only apparent.’ (B. Russell, History of Western Philosophy, Routledge Classics 2004, p. 123)
Does this
mean that according to Russell Plato viewed the Forms as God’s creation? It
does, for he goes on: ‘In the last book of the Republic there is a very clear exposition of the doctrine of ideas
or forms. Here Plato explains that, whenever a number of individuals have a
common name, they also have a common “idea” or “form”. For instance, though
there are many beds, there is only one “idea” of “form” of a bed. Just as a
reflection of a bed in a mirror is only apparent and not “real”, so the various
particular beds are unreal, being only copies of the “idea”, which is the one
real bed, and is made by God. Of this one bed, made by God, there can be knowledge, but in respect of the many
beds made by carpenters there can be only opinion.’ (ibid.)
Later on in
the chapter Russell subjects ‘Plato’s theory’ to criticism: ‘For Parmenides
there is only the One; for Plato, there are many ideas. There are not only
beauty, truth, and goodness, but, as we saw, there is the heavenly bed, created
by God; there is a heavenly man, a heavenly dog, a heavenly cat, and so on
through a whole Noah’s ark. All this however, seems, in the Republic, to have been not adequately
thought out. A Platonic idea or form is not a thought, though it may be the
object of a thought. It is difficult to see how God can have created it, since
its being is timeless, and he could not have decided to create a bed unless his
thought, when he decided, had had for its object that very Platonic bed which
we are told he brought into existence. What is timeless must be uncreated.’ (p.
129-130)
Does Plato
deserve Russell’s criticism? Let us see the passage in Republic X on the basis of which he interprets Plato’s theory of
Forms.
Socrates: ‘Well
then (Oukoun), here we find three
beds (trittai tines klinai hautai
gignontai): one existing in nature (mia
men hȇ en tȇi phusei ousa), which is made by the God, as I think that we
may say (hȇn phaimen an, hȏs egȏimai,
theon ergasasthai) – for no one else can be the maker (ȇ tin’ allon)?’ – Glaucon: ‘No one (Oudena), I think (oimai).’
– Socrates: ‘There is another (Mian de ge)
which is the work of the carpenter (hȇn
ho tektȏn)?’ – Glaucon: ‘Yes (Nai).’
– Socrates: ‘And the work of the painter is a third (Mia de hȇn ho zȏgraphos. ȇ gar)? – Glaucon: ‘Yes (Estȏ).’ – Socrates: ‘Beds, then, are of
three kinds, and there are three artists who superintend them: God, the maker
of the bed, and the painter (Zȏgraphos
dȇ, klinopoios, theos, treis houtoi epistatai trisin eidesi klinȏn)?’ –
Glaucon: ‘Yes, there are three of them (Nai
treis).’ – Socrates: ‘God (ho men dȇ
theos), whether from choice or from necessity (eite ouk ebouleto, eite tis anankȇ epȇn) made one bed in nature and
one only; two or more such beds neither ever have been nor ever will be made by
God (mȇ pleon ȇ mian en tȇi phusei
apergasasthai auton klinȇn, houtȏs epoiȇsen mian monon autȇn ekeinȇn ho estin
klinȇ; duo de toiautai ȇ pleious oute ephuteuthȇsan hupo tou theou oute mȇ
phuȏsin)’ – Glaucon: ‘Why is that (Pȏs
dȇ)?’ – Socrates: ‘Because even if He had made but two (hoti ei duo monas poiȇseien), a third
would still appear behind them (palin an
mia anaphaneiȇ) of which they again both possessed the form (hȇs ekeinai an au amphoterai to eidos
echoien), and that would be the real bed and not the two others (kai eiȇ an ho estin klinȇ ekeinȇ all’ ouch
hai duo).’ – Glaucon: ‘Very true (Orthȏs).’
– Socrates: ‘God knew this, I suppose (Tauta
dȇ oimai eidȏs ho theos), and He desired to be the real maker of a real bed
(boulomenos einai ontȏs klinȇs poiȇtȇs
ontȏs ousȇs), not a kind of maker of a kind of bed (alla mȇ klinȇs tinos mȇde klinopoios tis), and therefore he created
a bed which is essentially and by nature one only (mian phusei autȇn epoiȇsen).’ (597b5-d3, tr. B. Jowett)
What kind of
creation by God can Plato be speaking of when he maintains that God created
only one idea of bed, ‘because even if He had made but two, a third would still
appear behind them of which they again both possessed the form and that would
be the real bed and not the two others’? Since even in Plato’s days there may
have been some among the readers of the Republic
who took the ‘creation of the Forms’ in the 10th book as the view
held by Plato, Aristotle says in the 10th book of his Metaphysics that ‘Plato was not far
wrong (ou kakȏs Platȏn ephȇ) when he
said that there are as many Forms as there are kinds of natural objects (hoti eidȇ estin hoposa phusei), if there
are Forms (eiper estin eidȇ) distinct
from the things of this earth (alla
toutȏn hoion pur, sarx, kephalȇ).’ (1070a18-19, tr. W. D. Ross)
Furthermore, in the 1st book of the Metaphysics, in which Aristotle speaks still as one of the
disciples of Plato, he says that ‘we say that there are no Forms of such things
as a house or a ring’ (hoion oikia kai
daktulios, hȏn ou phamen eidȇ einai), i.e. of men made things (991b6-7).
***
On the
margin of my text I wrote down Proclus’ remark from his Commentary on the Timaeus, which I translate: ‘For an artisan does
not produce according to the Forms what he produces (ou gar kata tinas ideas ho technitȇs poiei ha poiei), even though
this is what Socrates appears to be saying in the Republic (ei kai dokei touto
legein ho en Politeiai Sȏkratȇs), but what he says there he says as an
example (all’ ekei men ta eirȇmena
paradeigmatos eirȇtai charin), but not about the Forms as such’ (kai ou peri autȏn tȏn ideȏn, in Tim. 104 F – [it could be 204 F, it
is sometimes difficult to distinguish 1 and 2 in my handwriting]).
***
In the Timaeus Plato says: ‘First then, in my
judgment, we must make a distinction and ask (prȏton diaireteon tade), What is that which always is (ti to on aei) and has no becoming (genesin de ouk echon); and what is that
which is always becoming (kai ti to
gignomenon men aiei) and never is (on
de oudepote)? That which is apprehended by intelligence and reason (to men dȇ noȇsei meta logou perilȇpton) is
always in the same state (aei kata tauta
on); but that which is conceived by opinion with the help of sensation and
without reason (to d’ au doxȇi met’
aisthȇseȏs alogou doxaston), is always in a process of becoming and
perishing and never really is (gignomenon
kai apollumenon, ontȏs de oudepote on). Now everything that becomes or is
created (pan de au to gignomenon)
must of necessity be created by some cause (hup’
aitiou tinos ex anankȇs gignesthai), for without a cause nothing can be
created (panti gar adynaton chȏris aitiou
genesin schein). The work of the creator, whenever he looks to the
unchangeable and fashions the form and nature of his work after an unchangeable
pattern (hotou men oun an ho dȇmiourgos
pros to kata t’auta echon blepȏn aei, toioutȏi tini proschrȏmenos paradeigmati,
tȇn idean kai dunamin autou apergazetai), must necessarily be made fair and
perfect (kalon ex anankȇs houtȏs
apoteleisthai pan); but when he looks to the created only (hou d‘ an eis gegonos), and uses a
created pattern (gennȇtȏi paradeigmati
proschrȏmenos), it is not fair or perfect (ou kalon).’ (27d5-28b2, tr. B. Jowett)
Plato goes on
to enquire whether (poteron) ‘the
whole world or cosmos’ (ho dȇ pas ouranos
ȇ kosmos, 28b2-3) ‘was always in existence (ȇn aei) and without beginning (geneseȏs
archȇn echȏn oudemian), or created (ȇ
gegonen), and had it a beginning (ap’
archȇs tinos arxamenos, 28b6-7)?’ He answers: ‘Created (gegonen), being visible and tangible and
having a body (horatos gar haptos te
estin kai sȏma echon), and therefore sensible (panta de toiauta aisthȇta); and all sensible things (ta d’ aisthȇta) are apprehended by opinion
and sense (doxȇi perilȇpta met’
aisthȇseȏs) and are in a process of creation and created (gignomena kai gennȇta ephanȇ, 28b7-c2).’
Then he says that we must find the creator and father of the universe (ton men oun poiȇtȇn kai patera tou pantos
heurein, 28c4) and ask whether (poteron)
in the act of creation he looked at ‘the pattern of the unchangeable (pros to kata t’auta kai hȏsautȏs echon),
or of that which is created (ȇ pros to
gegonos, 29a1-2)’. He answers that ‘everyone will see (panti dȇ saphes) that he must have looked at the eternal (hoti pros to aїdion); for the world is the
fairest of creations (ho men gar kallistos
tȏn gegonotȏn), and he is the best of causes (ho d’ aristos tȏn aitiȏn). And having been created in this way (houtȏ dȇ gegenȇmenos), the world has
been framed in the likeness of that which is apprehended by reason and mind and
is unchangeable (pros to logȏi kai
phronȇsei perilȇpton kai kata t’auta echon dedȇmiourgȇtai).’ (29a5-b1, tr.
B. Jowett)
This reads
like Plato’s answer to those readers of the Republic
who understood the 10th book as Russell did. Plato helped his
readers by conceiving the Timaeus
dramatically as a sequence to the Republic.
Socrates: ‘The chief theme of my yesterday’s discourse was the State – how
constituted and of what citizens composed it would seem likely to be most
perfect (chthes pou tȏn hup emou
rȇthentȏn logȏn peri politeias ȇn to kephalaion hoia te kai ex hoiȏn andrȏn
aristȇ katephainet’ an moi genesthai, Timaeus
17c1-3, tr. Jowett).
No comments:
Post a Comment